This cover has got us wow—ed!
This issue of the New York Times Style Magazine features First Lady Michelle Obama, who has spent the past eight years quietly and confidently changing the course of American history.
Michelle Obama’s feature, “To the First Lady, With Love,” includes four heartfelt and personal thank you letters to the FLOTUS. Chimamanda Ngozi Adichie, Gloria Steinem, Jon Meacham and Rashida Jones contributed their personal letters which all detail specific moments that Obama absolutely inspired them.
In the October 23 issue, the first lady is celebrated in a piece called “The Greats” where the magazine has chosen to honour seven iconic people. Along with Obama, the issue will feature Lady Gaga, Junya Watanabe, Zadie Smith, Kerry James Marshall and several other visionaries.
Nigerian Writer and Feminist Adichie describes the First Lady saying:
“She had rhythm, a flow and swerve, hands slicing air, body weight moving from foot to foot, a beautiful rhythm. In anything else but a black American body, it would have been contrived. The three-quarter sleeves of her teal dress announced its appropriateness, as did her matching brooch. But the cut of the dress scorned any “future first lady” stuffiness; it hung easy on her, as effortless as her animation. And a brooch, Old World style accessory, yes, but hers was big and ebulliently shaped and perched center on her chest. Michelle Obama was speaking. It was the 2008 Democratic National Convention. My anxiety rose and swirled, watching and willing her to be as close to perfection as possible, not for me, because I was already a believer, but for the swaths of America that would rather she stumbled.
She first appeared in the public consciousness, all common sense and mordant humor, at ease in her skin. She had the air of a woman who could balance a checkbook, and who knew a good deal when she saw it, and who would tell off whomever needed telling off. She was tall and sure and stylish. She was reluctant to be first lady, and did not hide her reluctance beneath platitudes. She seemed not so much unique as true. She sharpened her husband’s then-hazy form, made him solid, more than just a dream.”
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